|The picked up earth flows slowly between the hand´s palm and the fingers, as fine granules, in an absolute gesture, in one slow motion, on one and the same spot.
From out this action arises the idea, which gives form and figure to the formless matter and which is becoming the cause of this manifestation.
In spite of the temporary structures,which are formed around the created ownness, the Idea always returns to its origin.
If we want to experience this work of art, we have to know that the notions and concepts of the reliable three-dimensional world of the senses is now being crossed. We are making our way to - and crossing - the frontier of the sensorial world of symbols and structures.
|This work of art is continuously altering and its manifestation is continuously altering, so that the degrees of the angles with respect to our power of perception continuously differ. Which of these perceptions, we wonder, is the right one? Which of these images gives us the exact reality? Is is chaos?
The only thing that gives us certainty is the returning line. When we ascertain this as a fact among this variability, we can remark that this line is not static, but that it moves around a steady point. This is the own-ness of the incident of this work of art with respect to the observer. When we want to examine/experience this own-ness, we get an experience of a different time and space as a relative notion.
These relative notions and concepts have to be abandoned. We are getting included in the Idea and we experience the transparency of the different own-nesses which compose the work of art.
This work is a beating process of poetry and science, a creation of rhythm and movement in a continuous alteration,in its parts (the "SITES") which form at the same time a whole (the aggregate of all the sites)- one in its totality-, and have at the same time a function on their own as separate works of art. This is a total transparent, monumental work of art in the multi-dimensionality which is, was, and is becoming alive, thus determined by the author. In the separate identities (sites), all the proper things blossom abundantly, nameable, always returning to their origin and forming part of this monumental work of art:
1. The Middle, the Father - site, situated in Llauro on the Coll del Puig, P.O. France.
2. Ilicitis, The Mother - site, situated in the Campo d' Elx, Province of Alicante, Spain.
3. Las Colinas, The Son - site, situated in Sucina, El Alto de Los Maganes, s/n, Sucina, Province of Murcia, Spain.
4. Graciosa, Politeia - site, situated in San Lucar, Province of Huelva, Spain.
5. Leuka Ori, The referring, site, situated in Crete.
6. Corsica, the creative.
7. The Motor, The geographic Forming Power, situated in Ksar-El-Kebir, Morocco.
A multi-dimensional concept of harmony
Situation ILICI and ILII
The Universidad is situated on the Western plane of the second pyramid, exactly in the middle of the diameter from the basis to the top. From this point (Universidad), a straight line starts on the diameter of the second pyramid (line starting from the top to the middle of the basis plane) touching in the spot of the ownness. While in the first monument (Ilici) we can talk about a three-dimensionality, and in the second monument (Ilii) about a four-dimensionality, we get a multi-dimensionalityin the spot of the ownness U.N.E. (Universidad Libre de Las Colinas).
The multi-dimensionality results in a power centre for the dispersion of innumerable vibrations per second, in a radius of the same speed. That is why on this wave length only the Idea can travel. That is why the U.N.E. (Universidad Libre de Las Colinas) is the most essential and most universal University.
The ownness of Ilici - Ilii is concentrated now in the different sites in the "heaps" of earth. Thus far the Idea. From there all sites start to work. Ilii becomes Politeia, a union of people around the "heaps" of earth, which is expressed in the different residence areas, i.e.: Llauro: a very large area, called Great Llauro; Corse: a very small area; San Lucar: area called "Graciosa"; Crete: area which refers; Ksar-El-Kebir: which refers to verticalism.
When we consider the datum, not in a two-dimensionality, but in a three-, four-, and multi-dimensionality, the Mother and San Lucar will be found on the East side of the pyramid.
The Creative axis, placed in Llauro, has an inclination of 26º, from the top of the big pyramid (the Father)with respect to the north-south axis of the earth, almost parallel with the magnetic axis of the earth (with slight deviation).
|The energy from the Father to Llauro results in geographic Forming Power. The forming power runs across, down to Ksar-El-Kebir and Leuka Ori on the base line of the triangle, where it spreads. The work of art can best be experienced in the Father and the Son. The lines, triangles and pyramids result from a whole and form
part of it, according to the dimensions, in which we try to express the work.
Letting flow the fine earth granules slowly through the hand palm and the fingers, on a determined spot, is a human gesture from out the intuitive intelligence.
This creation, free of symbols and structures, is a creation of Free Will, of each individual, unique gesture, of repeated gestures on the same spot, or of several individuals in one collective gesture. The ownness of the earth granules of the specific spot is being emphasized by mixing these earth granules with pulverized substances ofthe area itself, which are different in each area. Whereas in the natural centre, the stone of the ownness is placed, the centre remains unaltered but the Identity differs depending on the fact if the "heaps" are placed in a unique gesture of the hand, repeatedly, individually or collectively.The identity is situated each time in the meta-point. The centre of gravity gets concrete form in the middle beneath the base. From the root starts an energy which spiralizes, in the rest of the ownness. It is the power which forms itself (Forming Power) and which expresses its identity inthe regularity. In spite of the temporary structures, which are formed around the identity, it always returns to its origin. Even when one or more sites are not (yet) "opened", they are involved in the whole, because their ownness is very specific and powerful and known by the author, who has taken them into account in his design of harmony.
It goes without saying, that the here represented pyramid is only a symbolic representation of reality, which geographically spreads over parts of Europe and Africa. The top of the great pyramid and the perpendicular, dropped from there out, is situated on the 10th degree of longitude at 1.559 Km height.
The basis lies on the 35th latitude, and the own-ness is situated in the 3rd pyramid at 310 Km height.
"Corse" lies at 729 Km height in the great pyramid. They are all in the ionosphere.
lies in a well determined dimension and is the full expression of the piece of art, which is created by the moving Logos in the diamond which creates the 3rd pyramid.
The Idea, the Free Will, lies in the upper pyramid of the diamond and creates the Creation of Free Will in pyramids of innumerable dimensions. The spirit, the creating,is situated in a determined dimension. The dimension of the son, in the diamond above the great pyramid.
The Father is situated in the upper pyramid of this diamond. By this will-less will, that creates innumerable dimensions, he creates the middle, he awakens the mother by the vibrations with their innumerable antennas, outside of the dimensions and present in all dimensions, not subject to anything, fleeing from the magnetic in the electric itself, on the frontier of existence and non-existence.